In The Wind Through the Keyhole, Stephen King returns to the rich landscape of Mid-World, the spectacular territory of the Dark Tower fantasy saga that stands as his most beguiling achievement. Roland Deschain and his ka-tet—Jake, Susannah, Eddie, and Oy, the billy-bumbler—encounter a ferocious storm just after crossing the River Whye on their way to the Outer Baronies. As they shelter from the howling gale, Roland tells his friends not just one strange story but two . . . and in so doing, casts new light on his own troubled past. In his early days as a gunslinger, in the guilt-ridden year following his mother’s death, Roland is sent by his father to investigate evidence of a murderous shape-shifter, a “skin-man” preying upon the population around Debaria. Roland takes charge of Bill Streeter, the brave but terrified boy who is the sole surviving witness to the beast’s most recent slaughter. Only a teenager himself, Roland calms the boy and prepares him for the following day’s trials by reciting a story from the Magic Tales of the Eld that his mother often read to him at bedtime. “A person’s never too old for stories,” Roland says to Bill. “Man and boy, girl and woman, never too old. We live for them.” And indeed, the tale that Roland unfolds, the legend of Tim Stoutheart, is a timeless treasure for all ages, a story that lives for us. King began the Dark Tower series in 1974; it gained momentum in the 1980s; and he brought it to a thrilling conclusion when the last three novels were published in 2003 and 2004. The Wind Through the Keyhole is sure to fascinate avid fans of the Dark Tower epic. But this novel also stands on its own for all readers, an enchanting and haunting journey to Roland’s world and testimony to the power of Stephen King’s storytelling magic.

When Jenny Lawson was little, all she ever wanted was to fit in. That dream was cut short by her fantastically unbalanced father (a professional taxidermist who created dead-animal hand puppets) and a childhood of wearing winter shoes made out of used bread sacks. It did, however, open up an opportunity for Lawson to find the humor in the strange shame spiral that is her life, and we are all the better for it. Lawson's long-suffering husband and sweet daughter are the perfect comedic foils to her absurdities, and help her to uncover the surprising discovery that the most terribly human moments-the ones we want to pretend never happened-are the very same moments that make us the people we are today. Let's Pretend This Never Happened is a poignantly disturbing, yet darkly hysterical tome for every intellectual misfit who thought they were the only ones to think the things that Lawson dares to say out loud. Like laughing at a funeral, this book is both irreverent and impossible to hold back once you get started.

America has enemies--ruthless people that the police, the FBI, even the military can't stop. That's when the U.S. government calls on Will Robie, a stone cold hitman who never questions orders and always nails his target. But Will Robie may have just made the first--and last--mistake of his career . . . THE INNOCENT It begins with a hit gone wrong. Robie is dispatched to eliminate a target unusually close to home in Washington, D.C. But something about this mission doesn't seem right to Robie, and he does the unthinkable. He refuses to kill. Now, Robie becomes a target himself and must escape from his own people. Fleeing the scene, Robie crosses paths with a wayward teenage girl, a fourteen-year-old runaway from a foster home. But she isn't an ordinary runaway-her parents were murdered, and her own life is in danger. Against all of his professional habits, Robie rescues her and finds he can't walk away. He needs to help her. Even worse, the more Robie learns about the girl, the more he's convinced she is at the center of a vast cover-up, one that may explain her parents' deaths and stretch to unimaginable levels of power. Now, Robie may have to step out of the shadows in order to save this girl's life . . . and perhaps his own.